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Eydie Gorme feat. Trio Los Panchos
This word so sweet, that I repeat, means I adore you
Amor, amor, my love
Would you deny this heart that I have placed before you
I can't find another word with meaning so clear
My lips try to whisper sweeter things in your ear
But somehow or other nothing sounds quite so dear
As this soft caressing word I know
Amor, amor, my love
When you're away there is no day and nights are lonely
Amor, amor, my love
Make life divine, say you'll be mine and love me only
I can't find another word with meaning so clear
My lips try to whisper sweeter things in your ear
But somehow or other nothing sounds quite so dear
As this soft caressing word I know
Amor, amor, amor
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What began as a Gregorian chant that some music scholars believe originated before the formation of the Catholic Mass, 'Ubi Caritas' ('Where Charity Is') has evolved into many iterations and compositions. The actual origin of the chant is unknown and ambiguous, although musicologists and researchers believe it was written between 300 and 1100 CE.
Settings and Rites
Today 'Ubi Caritas' is performed in a variety of settings and traditions, including its typical use as an antiphone during the Catholic Church's washing of feet ceremony. That ceremony is performed on Maundy Thursday (Holy Thursday), which is the Thursday before Easter Sunday commemorating the Last Supper where Jesus's washed his disciples' feet. 'Ubi Caritas' is also sometimes performed during Eucharistic Adoration and Benediction of the Blessed Sacrament.
Perhaps one of the most popular compositions of 'Ubi Caritas' is by Maurice Durufle. Durufle composed the arrangement in 1960 as part of his Quatre motets sur des thèmes grégoriens, Op. 10, by using only the first stanza of the original chant. He also used the chant's original melody, layering and weaving it into a sublime, polyphonic, and understated choral work. Below are links to several different YouTube recordings of Ubi Caritas compositions. As you'll hear, though some share the same influences of the original chant, each piece is truly unique.
Different Composers and Compositions of Ubi Caritas
Each link in the chart below links to the version on YouTube.
- Maurice Durufle, Quatre motets sur des thèmes grégoriens op. 10 (1960)
Performed by The Cambridge Singers - Paul Mealor, Royal Wedding Choral Motet (2011)
Performed by the Choir of Westminster Abbey - Audry Assad, Inheritance (2016)
Performed by Audry Assad - Ola Gjeilo (1999)
performed by Voces8 'Abbey Road x Decca Classics Sessions' - Ivo Antognini, Commissioned by the University of Wisconsin-Eau Claire (2015)
Performed by the University of Wisconsin Eau Claire's Concert Choir
Latin Text
Ubi caritas et amor, Deus ibi est.
Congregavit nos in unum Christi amor.
Exsultemus, et in ipso jucundemur.
Timeamus, et amemus Deum vivum.
Et ex corde diligamus nos sincero.
Ubi caritas et amor, Deus ibi est.
Simul ergo cum in unum congregamur:
Ne nos mente dividamur, caveamus.
Cessent iurgia maligna, cessent lites.
Et in medio nostri sit Christus Deus.
Ubi caritas et amor, Deus ibi est.
Simul quoque cum beatis videamus,
Glorianter vultum tuum, Christe Deus:
Gaudium quod est immensum, atque probum,
Saecula per infinita saeculorum. Amen.
English Translation
Where charity and love are, God is there.
Love of Christ has gathered us into one.
Let us rejoice in Him and be glad.
Let us fear, and let us love the living God.
And from a sincere heart let us love one.
Where charity and love are, God is there.
At the same time, therefore, are gathered into one:
Lest we be divided in mind, let us beware.
Let evil impulses stop, let controversy cease.
And in the midst of us be Christ our God.
Where charity and love are, God is there.
At the same time we see that with the saints also,
Thy face in glory, O Christ our God:
The joy that is immense and good, Unto the
World without end. Amen.
The aria 'Voi Che Sapete Che Cosa E Amor' is from 'The Marriage of Figaro,' one of Wolfgang Amadeus Mozart's most famous operas. This comic opera was first performed in Vienna in 1786, and continues the story of 'The Barber of Seville.'
Mozart the Composer
Wolfgang Amadeus Mozart (Jan. 27, 1756—Dec.5, 1791) was already a well-known composer by the time he met the Italian librettist Lorenzo Da Ponte in 1785. Together, they adapted the storyline of 'The Barber of Seville,' a popular opera of the era, to create 'The Marriage of Figaro.' When it premiered the following year in Vienna, the opera was hailed as a masterpiece.
The success would not go unnoticed. Austrian Emperor Joseph II, who named Mozart his chamber composer in 1787. That same year, Mozart and Da Ponte would premier their next collaboration, 'Don Giovanni.' The two operas are considered by critics and music historians to be among Mozart's finest works, and they are produced by opera companies on a regular basis.
The Plot of 'Figaro'
'The Marriage of Figaro' (in Italian, 'Le Nozze di Figaro') is a four-part comic opera. The plot revolves around Susanna and Figaro, two servants who work in the castle of Count Almaviva, and their quest to be married. At the beginning of the first act, the lovers are planning their nuptials. Meanwhile, the Count schemes to woo Susanna with the help of Don Basilio, Susanna's music teacher, even though Almaviva is already married.
Basilio is eager to foil Figaro's plans because Figaro had once thwarted Basilio's plans to wed Rosina, who later married the Count. He goes off to plot against Figaro, while Cherubino, a young page, confesses to Suzanna that he is infatuated with the Countess. When the Count appears, Suzanna hides Cherubino, who witnesses the Count try and seduce Susanna.
In the second act, Figaro offers to help the Countess expose the Count's philandering ways. Figaro proposes disguising Cherubino as Susanna in order to expose the Count. Countess Rosina agrees to the plan and dresses Cherubino as a woman as Susanna helps. But they are interrupted by the arrival of the Count and must quickly hide. Although they manage to escape, the Count's suspicions have been aroused.
In the third act, Susanna confronts the Count, who responds by warning her that she is about to lose Figaro as her lover. At that moment, Judge Don Curzio enters with Marcellina and Bartolo. Curzio insists that Figaro must marry Marcellina or repay a loan owed to her. But Figaro claims he is exempt because he is of noble birth, revealing a birthmark that proves him to be the son of Marcellina and Bartolo. The family reunited, Bartolo proposes marrying Marcellina, and the two leave with Figaro and Susanna to plan a double wedding. The Count, meanwhile, continues to plot revenge against Figaro.
In the final act, Figaro is told that the Count and Susanna have been having an affair, so he hides in the garden to await their arrival. He watches as the Count appears with 'Susanna' (the Countess in disguise) and Cherubino, who begins flirting with her. Susanna, meanwhile, shows up dressed as the Countess. Figaro emerges from hiding and pretends to woo her as the rest of the cast appears. The disguised Countess and Susanna reveal themselves. While Figaro and Susanna reconcile, the Count begs the Countess to forgive him, which she does.
Cherubino's Aria
'Voi Che Sapete Che Cosa E Amor' is sung in the second act by Cherubino, who is traditionally played by a woman with a soprano voice. In the song, Cherubino is lamenting his amorous habits even as he pines for the Countess' love. The original lyrics are in Italian as follows:
Voi che sapete che cosa e amor,
Donne, vedete, s'io l'ho nel cor,
Donne, vedete, s'io l'ho nel cor.
Quello ch'io provo, vi ridiro,
E per me nuovo capir nol so.
Sento un affetto pien di desir,
Ch'ora e diletto, ch'ora e martir.
Gelo e poi sento l'alma avvampar,
E in un momento torno a gelar.
Ricerco un bene fuori di me,
Non so chi il tiene, non so cos' e.
Sospiro e gemo senza voler,
Palpito e tremo senza saper,
Non trovo pace notte ne di,
Ma pur mi piace languir cosi.
Voi, che sapete che cosa e amor
Donne, vedete, s'io l'ho nel cor,
Donne, vedete, s'io l'ho nel cor,
Donne, vedete, s'io l'ho nel cor.
English translation:
You who know what love is,
Women, see whether it's in my heart,
Women, see whether it's in my heart.
What I am experiencing I will tell you,
It is new to me and I do not understand it.
I have a feeling full of desire,
That now, is both pleasure and suffering.
At first frost, then I feel the soul burning,
And in a moment I'm freezing again.
Seek a blessing outside myself,
I do not know how to hold it, I do not know what it is.
I sigh and moan without meaning to,
Throb and tremble without knowing,
I find no peace both night or day,
But even still, I like to languish.
You who know what love is,
Women, see whether it's in my heart,
Women, see whether it's in my heart,
Women, see whether it's in my heart.
Sources
- Biography.com staff. 'Wolfgang Mozart Biography.' Biography.com 27 April 2017.
- Cantoni, Linda. 'The Marriage of Figaro.' Brittanica.com. Accessed 29 March 2018.
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